P: New Perspectives in Painting (F A GENERAL)

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Review ------ "An obligatory purchase for anyone who buys modern art."―The Independent "The most lavish, comprehensive and useful guide to the new painting."―Art Monthly "Forget C, D and E - P is the only supplement you'll ever need."―Art Review "The most recent proof that painting, a supposedly moribund art form, is not dead after all comes in the form of a handsome, dazzlingly produced art book."―Vogue "While the art establishment, between bouts of kicking the dead corpse of painting, can only occasionally be shocked into sitting up and paying attention, thousands of artists all over the world are voting with their brushes. To celebrate, comes P, a lavish, affordable and truly international overview of 114 artists nominated by critics and curators... This is one that is incontrovertibly of benefit to everyone and just the pep pill these artists deserve."―i-D "[ P] provides unusual depth for a survey of this ... Barry Schwabsky's perceptive introductory essay provides an excellent of how we got here...Flash Art Synopsis -------- P is an image-heavy book offering an overview of the state of painting today, and documents the most recent concerns and ideas among contemporary painters. In the wake of new media such as installation, video, performance and digital art, the traditional medium of painting has enjoyed a renaissance among a recent generation of artists. Alongside the evergrowing reputation of significant living painters such as Gerhard Richter, Agnes Martin and Peter Halley, many younger artists have chosen painting over any other medium, and are exploring new means to broaden the traditional field of "oil on canvas". It is this younger generation (who emerged in the 1990s) that P s to represent in an A-Z survey of 114 of its leading, new, international practitioners, with each artist illustrated by numerous examples of his or her works, accompanied by a short explanatory text. Often moving beyond the most traditional image associated with this medium, P hopes to illustrate the richness, eclecticism, dynamism and contemporaneity of the practice of painting today. Barry Schwabsky's introductory text offers a critical survey of the evolution of painting since the late 1950's